Appalachian’s Department of Theatre and Dance premieres John Crutchfield play
Tuesday, October 24th, 2006The Department of Theatre and Dance at Appalachian State University will present a studio theatre production of “And Other Stories,†a new play by John Crutchfield, Nov.1-4.Performances are at 8 p.m. in I. G. Greer Studio Theatre on campus.
Tickets are $4 for all seats. For tickets or more information, call the Valborg Theatre Box office at 262-3063 weekdays from 2-5 p.m.
Crutchfield is a member of the faculty in Appalachian’s Department of English, where he has taught advanced playwriting and drama studies. He currently is on leave pursuing off-campus scholarly work.
He is a founding member of Blue Shift Theatre Ensemble, with whom he worked from 1994-2002. In 2004, he co-founded Jynormous Theatre Company with actor Julia Horn. His verse plays “Brother John,†“Ruth†and “The Songs of Robert†have received regional productions, as have as several shorter works, including “On the House,†“Going Home,†“Solstice†and “Trinity.â€
Set in fictional “Watachatooga County†in North Carolina, “And Other Stories†is quirky, poignant and hilariously absurd as it tells the story of a solitary man’s unusual search for God in his hometown.
The production is directed by theatre faculty member Joel Williams. Senior theatre performance major Luke Aeschleman is assistant director. Holly Shuffler is stage manager. The ensemble cast includes students James Houston, Jordan Lance, Joe Carroll, Kerry Dunlap,   Amie Russo, Corley May, Anna Gettles, Kelsey Head and Rachel McCrain.
Theatre faculty member Paulette Marty is the dramaturge for the production, assisting the playwright and the director with the development of the work. While both the director and assistant director had a hand in shaping the blocking of the play, dance faculty member Susan Lutz is working as movement consultant for the project.
The project is part of the Department of Theatre and Dance’s mission to develop new plays. This is the third Crutchfield play on which the department has collaborated.
“The beginning of the process was very meticulous. Paulette, Joel and John all listened for places that could be cut, reworded or expanded, using rehearsals as experiments to find the right balance,†Aeschleman said about development of the new play.
“Paulette always had the audience in mind, making sure the dramatic structure and ideas would be clear. John listened intently, scratching furiously in his script, finding where things could be funnier, where lines didn’t make sense, where the script makes a character stand out. Joel found himself examining what the play means, finding the emotional moments and mapping the ‘voyage’ of the play.â€